
THE MASKS OF THE GODDESS - a 7 year project.
to order: Preview the book at
Blurb.com
I began my project in 1999, when I made 20 multi-cultural masks for the Spiral Dance, an annual event held at Fort Mason Center in San Francisco by the Reclaiming Collective in honor of Samhain. Making the masks meant considerable research for me - exploring the story of the Virgin of Guadalupe, or imagining, from archeology or medieval alchemy, what the face of the Sumarian Goddess Lilith might look like, or Inanna, or Sophia. I wanted to know how these stories were conversant in my own life, and as I worked, I began to understand why certain Goddesses had always been important to me, such as Hindu Kali and Tibetan Tara. In psychological terms, I found I had internalized two universal archetypes of the Great Mother: the "Dark Goddess" and the "White Goddess". But this did not do justice to the intimacy I felt.
In 2000 I deepened my understanding of mask traditions by studying with Ida Bagus Anom and other Balinese master mask makers in Mas, and there I extended the series with a number of collaborative works, which were exhibited at Buka Creati Gallery in Ubud. As the project has evolved, producers and cast members have contributed writings, performances, insights and little miracles to the story of the masks, filling them with energy. No artist could ask for more, and I'm privileged to offer this book in 2009, documenting this 10-year project, and the women and men who dance the Goddess back into the World, and have brought Her many faces into the hearts and imaginations of many.
Included are writings, interviews and excerpts from M. Macha Nightmare, Mary Kay Landon, Ann Weller, Elizabeth Fuller, Brooke Medicine Eagle, Grey Eagle, Erica Swadley, and many others. And wonderful photographs by Peter Hughes, Thomas Lux, Ann Beam, and Ileya Stewart.
To learn more about Stories of the Goddess, visit the "Masks of the Goddess" section of my website. All of these stories are in the book as well.
AVAILABLE THROUGH: BLURB.COM
EXCERPTS:
SARASWATI
Patron of the Arts
Love is Saraswati's river
flowing through our lands.
She will feed the rice fields,
She will accept our woven offerings.
She will bear our ashes
and the fires of Kintamani
to the sea.
Formless,
she neither takes nor gives:
we impose these significances
upon the flowers we cast in her. From birth to death,
Saraswati's river
sustains us to the sea.
I Made Sura Warini
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"The Latin word for mask is persona. And masks are all about circles, the round of changing personae that encircle our souls. We’re all made of many personalities, wearing, in the course of our lives, many life masks. Our faces are dissolving before our eyes daily, through time and space, the "I" we bring to each passing experience and role. And beyond the last mask is the mystery of spirit. How can we dance more lightly with the mask that is ever changing? One way is to observe well what masks we create for ourselves, and respect the power of the masks we wear, becoming self-aware shape shifters within the mythic conversation that is taking place all around us. "
Valerie James as "Sophia", 2004
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"Grandmother Spider Woman is the divine Weaver in many Native American creation stories. Her web is a shining web of spiritual, human and ecological relationships. When we do ritual about Spider Woman we are weaving ourselves into the Great Web of relationship, strand by strand, story by story. "

Pomona was among the Numina, guardian spirits who watched over people, places, or homes. The Numina were, in essence, the holy spirits of place, from which the word "numinous" derives. Pomona protected and inspired the abundance of the fruitful gardens and orchards. She had her own priest in Rome, called the Flamen Pomonalis. A grove sacred to her was called the Pomonal, located not far from Ostia, the ancient port of Rome.
All Images and Text are Copyright Lauren Raine, Thomas Lux, Peter Hughes, Ann Beam & Ileya Stewart.